To his surprise and alarm, Milos finds that the set is, as Vukmir explained, extremely realistic and that there appear to be abused children around, either in person or in a position to watch the sex scenes which, Milos is told, need to be extremely rough.ДЄfter shooting several scenes which he finds to be slightly beyond the pale and regrets signing up in the first place, Milos tells Vukmir that he wants to quit and doesn't even want the money. Before he sets foot in the building, one of the men puts an earpiece in Milos' right ear in which some instructions are relayed to the lead actor.

This initially, and unsurprisingly, strikes Milos as an extremely odd location for a pornographic film and there is no crew in the traditional sense, only two cameramen - both burly and well built men who look more like bodyguards than filmmakers. Every day, Milos is picked up by a chauffeur driven BMW and driven to the filming location, a home for orphaned and abandoned children. Whatever is happening on-screen, it clearly is something extremely disturbing as Milos can't even bear to look.

Vukmir seems to have an extremely dark side and Milos is shocked to see that his new employer shows him a video of a baby being born, crying when it is slapped on the backside and continues to cry when something, we don't exactly what, happens to the newborn. Unfortunately, the strange and rather sinister man behind the project, Vukmir, won't tell Milos anything about the job, only that his prowess as a sexual superstar will be needed and the less he knows the better.

What is a serbian film